Producer: Ramesh S TauraniDirector: Rajkumar Santoshi
Starring: Ranbir Kapoor, Katrina Kaif, Upen Patel
Music: Pritam
Lyrics: Irshad Kamil
Singers: K.K, Ashish Pandit, Atif Aslam, Hard Kaur, Javed Ali, Jojo, Kailash Kher, Mika, Naresh Kamath, Neeraj Shridhar, Paresh Kamath, Rana Mazumdar, Soham, Sunidhi Chauhan, Suzanne DMello
Audio On: Tips Music
Number of Songs: 14
Album Released on: 09 October 2009
Reviewed by: Samir Dave - Rating: 7.5 / 10
Sadly, the cold weather has forced the Planet Bollywood beach house club to close for the season, but fear not all ye faithful PB readers for the party has moved indoors to the PB Bolly La La Club! Here you will thrill to psychedelic lights, posturing guys who redefine the term himbo, and scantily clad (yet traditional) girls who defy gravity. Amidst the cacophony of loud music, drinking (non-alcoholic of course), and techno bleeps ‘n’ bloops is a head full of shaggy hair bobbing in the DJ booth. Who is it? Why it’s the teddy bear of Indian Bollywood music, Pritam bhai! Welcome Pritam bhai, and thank you for spinning your latest release, “Ajab Prem Ki Ghazab Kahani” for the PB crowd (with Irshad Kamil and Ashish Pandit on lyrics)!
With that out of the way, let’s get on to the nitty gritty of this review shall we? That Pritam is a talented music director is of no doubt. On top of that, he is the most prolific music director in recent memory. While some his songs are hit or miss (and dodgy in terms of originality), one cannot deny that he knows exactly how to create tunes that meld themselves to our collective Bolly brains. Pritam is also, without a doubt an excellent remix/arranger, as he is able to take any song and Pritamize ™ it to make it better.
Following on the heels of “All the Best” and “Tum Mile”, the MD doesn’t rest on his laurels as his latest offering, “Ajab Prem Ki Ghazab Kahani”simply grabs on to you from first track to last. The film itself is much anticipated as Ranbir Kapoor is the lead actor, and he is the hottest commodity in Bollywood today. Ranbir it seems is the designated heir to Shah Rukh Khan’s chocolate boy romantic hero legacy. Co-starring with him is the beautiful Katrina Kaif who I am sure is relieved to finally be working with actors that are closer to her age in her recent films. Directed by veteran and acclaimed film director Rajkumar Santoshi (in his first comedy since “Andaz Apna Apna”), the buzz has it that this film is one that will knock your chappals off!
Let’s zoom on into the first track; “Main Tera Dhadkan Teri” begins with a bang as the feminine with attitude voice of Hard Kaur blasts through the speakers. She sets the stage for the anthem like melody of the song. Pritam’s favorite playback singer KK returns (shame that most other music directors don’t utilize this very talented vocalist) and blasts the song through the Indian stratosphere. Sunidhi Chauhan joins him and sounds as sultry and powerful as ever. The music itself is quite synth heavy and tailor made for dance clubs. This techno sound is broken by electric guitar slashing throughout the interludes. The bleeping bloops add to the ambience. Pritam shoots out a highly addictive track that the listener can inhale like a beedi. Rock on Pritam bhai!
Spoiler alert! You will be left breathless by the second track, as it is without a doubt not only the best on the album, but also one of the most memorable of the year. “Tu Jaane Na”, which takes the softness of a qawwali and melds it with Atif Aslam’s quivering brittle (yet appealing vocals) to create a tune that will immediately have you reaching for your loved one (either in person or via sms). The musical arrangement is thankfully kept simple and straightforward without too much synth use. In fact, let’s welcome back an old friend. Welcome back to Bolly music Mr. Tabla! The soft percussive sweetness of our traditional folk instrument has long been missing from the music scene, but is given a front and center treatment by Pritam Bhai. The lyrics will touch your soul, the music your heart, your loved one….well, I’ll leave that to your imagination. Do not, and I repeat, do not miss the unplugged version sung by Kailash Kher that comes later on the soundtrack. It is totally mindblowing. Who knew you were such a romantic Pritam bhai?!
Track three, “Oh By God”breezes in riding a wave of nostalgia, as you’ll recognize the chorus lyrics immediately, from a classic tune of yesteryear and immediately jive to the rhythm. I won’t mention which, but any fan of Bolly music will know. From there, the shehnai of all instruments gets the spotlight as it takes center stage (almost giving the track a bit of South Indian flavor). Sunidhi Chauhan is her usual boisterous and happy self, and is joined by bolo tara ra’s (Daler Mehndi’s) brother Mika. Pritam has expressed that he always finds himself attracted to singers who have an interesting quality to their voices and Mika certainly qualifies. Not the voice that one pictures coming out of Ranbir, that’s for sure. The track is breezy, catchy, and holds the interest of the listener while it’s playing, but you certainly won’t be saying, “Oh by God” all day after hearing the song! Pritam bhai, kabhi kabhi you seem to be composing in your sleep, but by God, I know you are talented! (Cue shehnai music) Rum chika chika…rum pum po!
Ahem, sorry after the last track, I strangely found myself rushing to my nearest South Indian restaurant and having some steaming hot idli!
Ok, I’m finished and dear readers we right away move on to the next song, “Shining in the setting sun like a pearl upon the ocean…. come and feel me. Shining in the setting sun like a pearl upon the ocean…come and heal me…come and feel me.” I guess the pearl on the ocean is symbolic of us, alone floating along until someone comes along to heal and…er…feel…us. Who knew that the opening lyrics of, “Tere Hone Laga Hoon” were so deep? Pritam plays cupid in this very romantic number that should hit the top of the charts. Atif provides the male vocals and he is “pitch” perfect, while the under utilized and very talented Alisha Chinoy’s sensually sweet voice serves as a perfect counterpoint to the male vocals. She shines in this song, and really is the highlight of the track. The music is soft pop and fittingly arranged (with the heart tugging sounds of violins at the right parts and soft percussion throughout). Go ahead, shine on the ocean like the pearl you know you are…. while your loved one heals and feels you. Ah Pritam bhai, you rrrromantic rrrrrrascal you!
Track 5, “Prem Ki Naiyya” has that peppy Bombay Vikings feel to it (which makes you think that Pritam is really a music director that involves his lead singers in the composing process). That Vikings feeling is not only due to the music, but also because of lead vocalist Neeraj Shridhar (lead singer of…. the Bombay Vikings). It’s got a nice rustic quality to it, as it almost makes me feel like wearing my dhoti ‘n’ sneakers and dancing around like a mad man. He’s joined by Suzanne D’Mello who has the unenviable task of singing these lyrics without laughing, “coo coo coo….silly willy..willy…willy…willy..won’t you give me your love?” Hmmm…methinks there’s too much silly willy nilly with these lyrics. A light harmless track that is pleasant to listen to. Silly willy willy willy…. indeed Pritam bhai.
“Aa Jao Meri Tamana” is next and it shines with a catchy beat, nice lyrics and excellent singing by Javed Ali. He modulates his voice at the right high notes to give more feeling to the song. The music has a mellow techno beat, with the prerequisite keyboards. It’s not the musical arrangement that shines here, but the beauty of Javed’s vocals that really hooks the listener. “Aja meri tamana, bahoon mein aaawo”…are lyrics we’ve heard before, but still tugs at our hearts. The only weakness of the track is that it has a slight familiarity to it in terms of composition (it would be at home in a brothers Bhatt movie), but ignore that and just go with the flow. . Play this track and your loved one will certainly run into your arms. Pritamize ™ your hearts with this track!
The final original track, “Follow Me” is, well, hard core, or should I say Hard Kaur. She provides her mucho gusto masculine feminine with attitude vocals. It’s not bad, its just lots of aggression channeled via the music. It’s a track that’s great to dance to, but not as cool to sit and listen to. Have to hand it to Pritam, he really is diverse in his selection of artists. The sad part of it is that other music directors do not hire most of the artists he uses, so it’s nice that they get the Pritam forum to do their thing.
Okay, that’s the end, wait, no it isn’t. Now that the original tracks are done with, there are seven remix/reprises that await the listener. So you think you’ve sweated it out and struck out with all the girls and guys? Here’s where you get your second wind, as you see Pritam’s mane of wild hair shaking this way and that in the DJ booth.
First up, “Tu Jaane Na (Reprise)” which replaces Atif’s vocals with Soham. He does a fairly decent job, but it’s not as powerful as the original. Also, the organic sounding instrumentation has been replaced with a more synthetic sound. Worth a listen or two. “Main Tera Dhadkan Teri [Remix]”by DJ Suketu is up next as Suketu plays with the tempo and adds the dance snyths. This is followed by another remix of “Tu Jaane Na”which has a Robert Miles airy feel to it due to the keyboards and echo effect added to Atif’s voice. It loses the hypnotic qawwali like quality for the more straightforward club vibe. This is followed (because no one demanded it) by the remix of “Prem Ki Naiyya” (nothing like hearing silly willy to a fast techno beat) which is avoidable. Along this unending remix journey we next go to, “Tera Hone Laga Hoon” which has an 80’s vibe to it, almost sounding like something from AHA, Erasure or early Depeche Mode. This one is worth a listen and retains the flavor of the original. It’s not over yet, for we have the remix of “Aa Jao Meri Tamana” which tries to get you to shake your booty on the floor. Pretty standard fare as far as remixes go.
Now, here’s the best part of the album. The best is indeed saved for last, because we have an unplugged version of “Tu Jaane Na” with astounding vocals by Kailash Kher (along with Naresh and Paresh Kamath of Kailasa fame) who totally knocks this one out of the park. You’ll be swooning to his vocals, backed simply by acoustic guitar. Sweet and straight to the point, the track proves that sometimes less is most definitely more. Download this to your MP3 player immediately and hit repeat! Talk about an unforgettable way to end the album!
If you are looking for an enjoyable potpourri of different musical styles, and melody, then you will love what Pritam has served up for, “Ajab Prem Ki Ghazab Kahani”. It deserves to be at the top of the charts (at least until the next big thing comes along). Pritam does what he does best, serves up the perfect music spiced with just the right masala that appeals to the largest group of people. Wah wah Pritam Bhai, way to go!
Posted by Bollywood Fox at 1:18 PM 0 comments
Labels: Ajab Prem Ki Ghazab Kahani
Jail
Producer: Shailendra Singh
Director: Madhur Bhandarkar
Starring: Neil Nitin Mukesh, Mugdha Godse, Manoj Bajpai, Arya Babbar, Chetan Pandit, Ghanshyam Garg
Music: Shamir Tandon, Sharib Shabri, Toshi Shabri
Lyrics: Sharib Toshi, Sandeep Nath, Ajay Kumar Garg, Turaz
Singers: Lata Mangeshkar, Sharib Shabri, Toshi Shabri, Sonu Kakkar.
Audio On: T-Series
Number of Songs: 8
Album Released on: 03 October 2009
Reviewed by: Atta Khan - Rating: 6.0 / 10
Madhur Bandhakar, the award winning film director and script writer returns to the big screen shortly with Jail, another expose along the lines of his most acclaimed projects such as Chandni Bar (2002), Page 3 (2005), Traffic Signal (2007) and Fashion (2008). This time we are given an insight into the harsh reality of prisoners in Indian jails from the perspective of the lead actor, Parag Dixit (Neil Nitin Mukesh). One factor that is pivotal to all of Bandhakar’s movies is quality music and background score. In fact, he is one of the few directors that actually tries to integrate music into his movies rather than include it for the sake of doing so. Over the years his favourite composers include Shamir Tandon, Raju Singh and Salim Sulaiman who produced the superb score for his last movie, the underrated Fashion (2008).
For his Jail, the same duo (Salim Sulaiman) were also outlined to be the composers but for some reason they were not able to fulfill the project and therefore Bandhakar has looked elsewhere to fill their void. The end result is a relatively short soundtrack with music from Shamir Tandon and the talented Sharib Toshi, who hit the big time with their sufi rock anthem “Maahi” from Raaz: The Mystery Continues (2008). Yet one feels they still have a lot to prove particularly after their disappointing contribution to Jashnn (2009) (remember the best songs from that album were composed by Pakistani artist Nouman Javaid!). Indeed, the first two songs here are composed by Sharib Toshi so let’s see if they can impress…
Don’t look so surprised! “Sainya Ve” is another sufi rock tune that sounds similar to songs (particularly Pakistani rock music) gone by including “Maahi”, though it’s still catchy and should satisfy fans in the short term. Toshi’s vocals have that sufi touch to them but here they are beginning to sound stale, alas we have heard him in this mould before! Furthermore, the words “Sainya Ve” are repeated far too often but just like in “Maahi”, this maybe an intentional ploy to make the song catchy… the lyrics (by Sharib Toshi) are limited and apart from “Sainya Ve” you get little else. Overall, don’t let the catchy beats blind you, this is strictly an above average track with little originality and long-term value…in fact, one can call it another “Maahi” hang-over? Either way, the duo will not survive long if they carry on in this manner.
But wait, the remixes are more enjoyable! Both “Saiyan Ve Remix” (by Anamik) and “Saiyan Ve Rock” (Sharib Toshi) feature vocals by lead actor Neil Nitin Mukesh who seems to be enjoying himself behind the mic! Take your own preference but it has to be said, the Rock version has a very laid back lounge feel to it with some cool rock laden instruments, perfect for chillaxin to, this version definitely comes recommended!
“Milke Yun Lagaa” is a definite improvement over “Sainya Ve”. Gone are the silly one liner lyrics (thanks to a timely contribution by lyricist Turaz) and the repetitive beats. Instead we get a progressive rock melody which lingers on the light strumming of an acoustic guitar. If you thought Toshi was a good singer, listen to Sharib’s powerful vocals which are deeper, more versatile and the overall impact is thus better! An Enjoyable listen but again this one will be quickly forgotten in a few weeks. The duo must improve in this area.
After that short albeit disappointing contribution from Sharib Toshi, we move onto the other composer, Shamir Tandon…can he improve the soundtrack?
“Bareily Ke Bazaar Mein” is a wacky item number featuring one of the hottest Bollywood actresses, Sayali Bhagat! An extremely peppy song with bouts of qawaali thrown in, it sounds interesting thanks to some intoxicating singing by Sonu Kakkar but in reality, this one is going to rely on Sayali to give it a hit status. Lyrics by Sandeep Nath are weak and rely far too much on the song title. Having said that the “Remix Version” by Nikhil Chinappa and Nawed Khan just explodes onto a different level making it a more infectious listen. Not bad!
The final track is unusual because it completely changes the mood of album, which has been upbeat thus far. In what marks her 80th Birthday, the incredible Lata Mangeshkar returns with the haunting “Daata Sun Le” . Shamir Tandon keeps the pace slow here which is ideal for Lata jee and proves that given the opportunity, her vocals are still immense, she simply defies her age! Lyrics by Ajay Kumar Garg unearth a plea to God forgiveness and will be appropriate for the movie. If you enjoyed the original be sure to catch the “Contemporary Remix” which enriches the arrangements with some fine traditional sounds (from the tabla and other string instruments). But it's Lata jee who steals the show again.
As far as Bandhakar soundtracks go, this is fairly average and in all honesty it feels a rushed and disjointed effort with the sole purpose of promoting the movie (hence the use of Sharib Toshi). Salim Sulaiman are sorely missed. Having said that, some of the tracks are catchy and it’s likely to sound better on screen keeping in mind the theme of the movie...give it a try.
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Starring: Ranbir Kapoor, Katrina Kaif, Upen Patel
Music: Pritam
Lyrics: Irshad Kamil
Singers: K.K, Ashish Pandit, Atif Aslam, Hard Kaur, Javed Ali, Jojo, Kailash Kher, Mika, Naresh Kamath, Neeraj Shridhar, Paresh Kamath, Rana Mazumdar, Soham, Sunidhi Chauhan, Suzanne DMello
Audio On: Tips Music
Number of Songs: 14
Album Released on: 09 October 2009
Reviewed by: Samir Dave - Rating: 7.5 / 10
Sadly, the cold weather has forced the Planet Bollywood beach house club to close for the season, but fear not all ye faithful PB readers for the party has moved indoors to the PB Bolly La La Club! Here you will thrill to psychedelic lights, posturing guys who redefine the term himbo, and scantily clad (yet traditional) girls who defy gravity. Amidst the cacophony of loud music, drinking (non-alcoholic of course), and techno bleeps ‘n’ bloops is a head full of shaggy hair bobbing in the DJ booth. Who is it? Why it’s the teddy bear of Indian Bollywood music, Pritam bhai! Welcome Pritam bhai, and thank you for spinning your latest release, “Ajab Prem Ki Ghazab Kahani” for the PB crowd (with Irshad Kamil and Ashish Pandit on lyrics)!
With that out of the way, let’s get on to the nitty gritty of this review shall we? That Pritam is a talented music director is of no doubt. On top of that, he is the most prolific music director in recent memory. While some his songs are hit or miss (and dodgy in terms of originality), one cannot deny that he knows exactly how to create tunes that meld themselves to our collective Bolly brains. Pritam is also, without a doubt an excellent remix/arranger, as he is able to take any song and Pritamize ™ it to make it better.
Following on the heels of “All the Best” and “Tum Mile”, the MD doesn’t rest on his laurels as his latest offering, “Ajab Prem Ki Ghazab Kahani”simply grabs on to you from first track to last. The film itself is much anticipated as Ranbir Kapoor is the lead actor, and he is the hottest commodity in Bollywood today. Ranbir it seems is the designated heir to Shah Rukh Khan’s chocolate boy romantic hero legacy. Co-starring with him is the beautiful Katrina Kaif who I am sure is relieved to finally be working with actors that are closer to her age in her recent films. Directed by veteran and acclaimed film director Rajkumar Santoshi (in his first comedy since “Andaz Apna Apna”), the buzz has it that this film is one that will knock your chappals off!
Let’s zoom on into the first track; “Main Tera Dhadkan Teri” begins with a bang as the feminine with attitude voice of Hard Kaur blasts through the speakers. She sets the stage for the anthem like melody of the song. Pritam’s favorite playback singer KK returns (shame that most other music directors don’t utilize this very talented vocalist) and blasts the song through the Indian stratosphere. Sunidhi Chauhan joins him and sounds as sultry and powerful as ever. The music itself is quite synth heavy and tailor made for dance clubs. This techno sound is broken by electric guitar slashing throughout the interludes. The bleeping bloops add to the ambience. Pritam shoots out a highly addictive track that the listener can inhale like a beedi. Rock on Pritam bhai!
Spoiler alert! You will be left breathless by the second track, as it is without a doubt not only the best on the album, but also one of the most memorable of the year. “Tu Jaane Na”, which takes the softness of a qawwali and melds it with Atif Aslam’s quivering brittle (yet appealing vocals) to create a tune that will immediately have you reaching for your loved one (either in person or via sms). The musical arrangement is thankfully kept simple and straightforward without too much synth use. In fact, let’s welcome back an old friend. Welcome back to Bolly music Mr. Tabla! The soft percussive sweetness of our traditional folk instrument has long been missing from the music scene, but is given a front and center treatment by Pritam Bhai. The lyrics will touch your soul, the music your heart, your loved one….well, I’ll leave that to your imagination. Do not, and I repeat, do not miss the unplugged version sung by Kailash Kher that comes later on the soundtrack. It is totally mindblowing. Who knew you were such a romantic Pritam bhai?!
Track three, “Oh By God”breezes in riding a wave of nostalgia, as you’ll recognize the chorus lyrics immediately, from a classic tune of yesteryear and immediately jive to the rhythm. I won’t mention which, but any fan of Bolly music will know. From there, the shehnai of all instruments gets the spotlight as it takes center stage (almost giving the track a bit of South Indian flavor). Sunidhi Chauhan is her usual boisterous and happy self, and is joined by bolo tara ra’s (Daler Mehndi’s) brother Mika. Pritam has expressed that he always finds himself attracted to singers who have an interesting quality to their voices and Mika certainly qualifies. Not the voice that one pictures coming out of Ranbir, that’s for sure. The track is breezy, catchy, and holds the interest of the listener while it’s playing, but you certainly won’t be saying, “Oh by God” all day after hearing the song! Pritam bhai, kabhi kabhi you seem to be composing in your sleep, but by God, I know you are talented! (Cue shehnai music) Rum chika chika…rum pum po!
Ahem, sorry after the last track, I strangely found myself rushing to my nearest South Indian restaurant and having some steaming hot idli!
Ok, I’m finished and dear readers we right away move on to the next song, “Shining in the setting sun like a pearl upon the ocean…. come and feel me. Shining in the setting sun like a pearl upon the ocean…come and heal me…come and feel me.” I guess the pearl on the ocean is symbolic of us, alone floating along until someone comes along to heal and…er…feel…us. Who knew that the opening lyrics of, “Tere Hone Laga Hoon” were so deep? Pritam plays cupid in this very romantic number that should hit the top of the charts. Atif provides the male vocals and he is “pitch” perfect, while the under utilized and very talented Alisha Chinoy’s sensually sweet voice serves as a perfect counterpoint to the male vocals. She shines in this song, and really is the highlight of the track. The music is soft pop and fittingly arranged (with the heart tugging sounds of violins at the right parts and soft percussion throughout). Go ahead, shine on the ocean like the pearl you know you are…. while your loved one heals and feels you. Ah Pritam bhai, you rrrromantic rrrrrrascal you!
Track 5, “Prem Ki Naiyya” has that peppy Bombay Vikings feel to it (which makes you think that Pritam is really a music director that involves his lead singers in the composing process). That Vikings feeling is not only due to the music, but also because of lead vocalist Neeraj Shridhar (lead singer of…. the Bombay Vikings). It’s got a nice rustic quality to it, as it almost makes me feel like wearing my dhoti ‘n’ sneakers and dancing around like a mad man. He’s joined by Suzanne D’Mello who has the unenviable task of singing these lyrics without laughing, “coo coo coo….silly willy..willy…willy…willy..won’t you give me your love?” Hmmm…methinks there’s too much silly willy nilly with these lyrics. A light harmless track that is pleasant to listen to. Silly willy willy willy…. indeed Pritam bhai.
“Aa Jao Meri Tamana” is next and it shines with a catchy beat, nice lyrics and excellent singing by Javed Ali. He modulates his voice at the right high notes to give more feeling to the song. The music has a mellow techno beat, with the prerequisite keyboards. It’s not the musical arrangement that shines here, but the beauty of Javed’s vocals that really hooks the listener. “Aja meri tamana, bahoon mein aaawo”…are lyrics we’ve heard before, but still tugs at our hearts. The only weakness of the track is that it has a slight familiarity to it in terms of composition (it would be at home in a brothers Bhatt movie), but ignore that and just go with the flow. . Play this track and your loved one will certainly run into your arms. Pritamize ™ your hearts with this track!
The final original track, “Follow Me” is, well, hard core, or should I say Hard Kaur. She provides her mucho gusto masculine feminine with attitude vocals. It’s not bad, its just lots of aggression channeled via the music. It’s a track that’s great to dance to, but not as cool to sit and listen to. Have to hand it to Pritam, he really is diverse in his selection of artists. The sad part of it is that other music directors do not hire most of the artists he uses, so it’s nice that they get the Pritam forum to do their thing.
Okay, that’s the end, wait, no it isn’t. Now that the original tracks are done with, there are seven remix/reprises that await the listener. So you think you’ve sweated it out and struck out with all the girls and guys? Here’s where you get your second wind, as you see Pritam’s mane of wild hair shaking this way and that in the DJ booth.
First up, “Tu Jaane Na (Reprise)” which replaces Atif’s vocals with Soham. He does a fairly decent job, but it’s not as powerful as the original. Also, the organic sounding instrumentation has been replaced with a more synthetic sound. Worth a listen or two. “Main Tera Dhadkan Teri [Remix]”by DJ Suketu is up next as Suketu plays with the tempo and adds the dance snyths. This is followed by another remix of “Tu Jaane Na”which has a Robert Miles airy feel to it due to the keyboards and echo effect added to Atif’s voice. It loses the hypnotic qawwali like quality for the more straightforward club vibe. This is followed (because no one demanded it) by the remix of “Prem Ki Naiyya” (nothing like hearing silly willy to a fast techno beat) which is avoidable. Along this unending remix journey we next go to, “Tera Hone Laga Hoon” which has an 80’s vibe to it, almost sounding like something from AHA, Erasure or early Depeche Mode. This one is worth a listen and retains the flavor of the original. It’s not over yet, for we have the remix of “Aa Jao Meri Tamana” which tries to get you to shake your booty on the floor. Pretty standard fare as far as remixes go.
Now, here’s the best part of the album. The best is indeed saved for last, because we have an unplugged version of “Tu Jaane Na” with astounding vocals by Kailash Kher (along with Naresh and Paresh Kamath of Kailasa fame) who totally knocks this one out of the park. You’ll be swooning to his vocals, backed simply by acoustic guitar. Sweet and straight to the point, the track proves that sometimes less is most definitely more. Download this to your MP3 player immediately and hit repeat! Talk about an unforgettable way to end the album!
If you are looking for an enjoyable potpourri of different musical styles, and melody, then you will love what Pritam has served up for, “Ajab Prem Ki Ghazab Kahani”. It deserves to be at the top of the charts (at least until the next big thing comes along). Pritam does what he does best, serves up the perfect music spiced with just the right masala that appeals to the largest group of people. Wah wah Pritam Bhai, way to go!
Posted by Bollywood Fox at 1:18 PM 0 comments
Labels: Ajab Prem Ki Ghazab Kahani
Jail
Producer: Shailendra Singh
Director: Madhur Bhandarkar
Starring: Neil Nitin Mukesh, Mugdha Godse, Manoj Bajpai, Arya Babbar, Chetan Pandit, Ghanshyam Garg
Music: Shamir Tandon, Sharib Shabri, Toshi Shabri
Lyrics: Sharib Toshi, Sandeep Nath, Ajay Kumar Garg, Turaz
Singers: Lata Mangeshkar, Sharib Shabri, Toshi Shabri, Sonu Kakkar.
Audio On: T-Series
Number of Songs: 8
Album Released on: 03 October 2009
Reviewed by: Atta Khan - Rating: 6.0 / 10
Madhur Bandhakar, the award winning film director and script writer returns to the big screen shortly with Jail, another expose along the lines of his most acclaimed projects such as Chandni Bar (2002), Page 3 (2005), Traffic Signal (2007) and Fashion (2008). This time we are given an insight into the harsh reality of prisoners in Indian jails from the perspective of the lead actor, Parag Dixit (Neil Nitin Mukesh). One factor that is pivotal to all of Bandhakar’s movies is quality music and background score. In fact, he is one of the few directors that actually tries to integrate music into his movies rather than include it for the sake of doing so. Over the years his favourite composers include Shamir Tandon, Raju Singh and Salim Sulaiman who produced the superb score for his last movie, the underrated Fashion (2008).
For his Jail, the same duo (Salim Sulaiman) were also outlined to be the composers but for some reason they were not able to fulfill the project and therefore Bandhakar has looked elsewhere to fill their void. The end result is a relatively short soundtrack with music from Shamir Tandon and the talented Sharib Toshi, who hit the big time with their sufi rock anthem “Maahi” from Raaz: The Mystery Continues (2008). Yet one feels they still have a lot to prove particularly after their disappointing contribution to Jashnn (2009) (remember the best songs from that album were composed by Pakistani artist Nouman Javaid!). Indeed, the first two songs here are composed by Sharib Toshi so let’s see if they can impress…
Don’t look so surprised! “Sainya Ve” is another sufi rock tune that sounds similar to songs (particularly Pakistani rock music) gone by including “Maahi”, though it’s still catchy and should satisfy fans in the short term. Toshi’s vocals have that sufi touch to them but here they are beginning to sound stale, alas we have heard him in this mould before! Furthermore, the words “Sainya Ve” are repeated far too often but just like in “Maahi”, this maybe an intentional ploy to make the song catchy… the lyrics (by Sharib Toshi) are limited and apart from “Sainya Ve” you get little else. Overall, don’t let the catchy beats blind you, this is strictly an above average track with little originality and long-term value…in fact, one can call it another “Maahi” hang-over? Either way, the duo will not survive long if they carry on in this manner.
But wait, the remixes are more enjoyable! Both “Saiyan Ve Remix” (by Anamik) and “Saiyan Ve Rock” (Sharib Toshi) feature vocals by lead actor Neil Nitin Mukesh who seems to be enjoying himself behind the mic! Take your own preference but it has to be said, the Rock version has a very laid back lounge feel to it with some cool rock laden instruments, perfect for chillaxin to, this version definitely comes recommended!
“Milke Yun Lagaa” is a definite improvement over “Sainya Ve”. Gone are the silly one liner lyrics (thanks to a timely contribution by lyricist Turaz) and the repetitive beats. Instead we get a progressive rock melody which lingers on the light strumming of an acoustic guitar. If you thought Toshi was a good singer, listen to Sharib’s powerful vocals which are deeper, more versatile and the overall impact is thus better! An Enjoyable listen but again this one will be quickly forgotten in a few weeks. The duo must improve in this area.
After that short albeit disappointing contribution from Sharib Toshi, we move onto the other composer, Shamir Tandon…can he improve the soundtrack?
“Bareily Ke Bazaar Mein” is a wacky item number featuring one of the hottest Bollywood actresses, Sayali Bhagat! An extremely peppy song with bouts of qawaali thrown in, it sounds interesting thanks to some intoxicating singing by Sonu Kakkar but in reality, this one is going to rely on Sayali to give it a hit status. Lyrics by Sandeep Nath are weak and rely far too much on the song title. Having said that the “Remix Version” by Nikhil Chinappa and Nawed Khan just explodes onto a different level making it a more infectious listen. Not bad!
The final track is unusual because it completely changes the mood of album, which has been upbeat thus far. In what marks her 80th Birthday, the incredible Lata Mangeshkar returns with the haunting “Daata Sun Le” . Shamir Tandon keeps the pace slow here which is ideal for Lata jee and proves that given the opportunity, her vocals are still immense, she simply defies her age! Lyrics by Ajay Kumar Garg unearth a plea to God forgiveness and will be appropriate for the movie. If you enjoyed the original be sure to catch the “Contemporary Remix” which enriches the arrangements with some fine traditional sounds (from the tabla and other string instruments). But it's Lata jee who steals the show again.
As far as Bandhakar soundtracks go, this is fairly average and in all honesty it feels a rushed and disjointed effort with the sole purpose of promoting the movie (hence the use of Sharib Toshi). Salim Sulaiman are sorely missed. Having said that, some of the tracks are catchy and it’s likely to sound better on screen keeping in mind the theme of the movie...give it a try.
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